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Profile

The Center for Artistic Research and Digital Innovation (ZKD), which is currently being established at the Cologne University of Music and Dance, occupies a special position within the German-speaking music university landscape.

Mission

With our two professorships for Artistic Research (Winnie Huang) and Digital Innovation (Florian Hollerweger), appointed for the winter semester 2023, we have the opportunity to bundle the innovative forces of an art that also sees itself as research and to systematically test an interdisciplinary curriculum for the purpose of its further development. As part of a university that accepts its social and cultural responsibility, we want to make a sustainable contribution to anchoring the arts in society, support the further development of artistic traditions and excellence and promote inclusive cultural participation in a digitalized society with a view to its future cohesion.

Concept

Conceived as an integrative force at our university, the ZKD is deliberately not assigned to a department, but is primarily aimed at the (internal and external) networking of all disciplines, students, teaching staff and employees represented at the university.

As an organizational unit directly assigned to the Rectorate, it sees itself on the one hand as a "service point" that is open to all members of the university to support their respective practices; be it to reflect on them and articulate them as research, be it for the practical implementation of artistic, scientific or pedagogical ideas in the digital medium.

On the other hand, we want to create a place for collaboration and inspiration across disciplines and degree programs, promote synergies and allow new things to emerge. Artistic research and digital innovation encompass a broad range of skills that enable students and teachers to deepen their understanding of the socio-cultural and technological dimensions of their practice.

The center strives to offer both target groups an expanded and personalized perspective on their own work. Students will be provided with a complementary understanding of their future professional field and the skills required for it, beyond regular artistic teaching and other existing teaching formats. Digital technologies are used in all these scenarios as a versatile creative tool that serves artistic expression (e.g. in live coding performances) as well as transdisciplinary research (e.g. in computer-aided musical analysis) or the public presentation of one's own work (e.g. when creating an online portfolio).

Mission statement

Our principles of action are characterized by the joy of experimentation (including the courage to fail in an instructive way), an active and critical examination of new art forms and technologies as well as an inclusive openness to the most diverse perspectives on music and dance.

The creation of an environment conducive to artistic personal development has a long tradition at our university. The ZKD supports students in the increasingly individualized formulation, realization and continuous development of their artistic goals by teaching practical methods and technological skills, for example through a "Musical-Gestural Composition/Performance Workshop" and targeted tutorials on digital technologies in the Bachelor's module "Professionalization".

At the same time, the ZKD provides students with a comprehensive understanding of the role of artists in their society. By developing learning environments that foster collective intelligence and collaboration, students in seminars such as "Artistic Research and your Artistic Identity" learn to position themselves as integral parts of the artistic ecosystem of the university and society as a whole.

The center strives for a symbiosis of creative practice and critical reflection. Artistic research serves as a catalyst for forms of innovation that actively and critically engage with digital technologies. One example is the "Digital Music Open Lab", where students can find individual support and collective exchange in the implementation of their own projects.

The ethos of the ZKD is reflected in the development of collaborative teaching and learning strategies in which students initiate, organize and carry out interdisciplinary projects. Examples include the seminar "Acoustic Research" taught jointly by Winnie Huang, Anna Schürmer (musicology) and Brigitta Muntendorf (instrumental composition), the course "Hacking out music" designed by Florian Hollerweger and Julia Weber (music education) and a series of interdisciplinary workshops and "Open Classrooms" for the opening of the coming winter semester.